3rd International Conference on Digital Culture & AudioVisual Challenges
Rui Penha at the 3rd International Conference on Digital Culture & AudioVisual Challenges. DCAC-2021
Rui Penha :
“Expressive interactivity”
Rui Penha at the 3rd International Conference on Digital Culture & AudioVisual Challenges. DCAC-2021
Rui Penha :
“Expressive interactivity”
A week of concerts, interactive art installations, workshops, lectures and debates exploring digital creativity
Agora Creative 2019 is a cultural showcase and discussion of new trends at intersections of art, science and technology. The week will contain many events for the public, including:
Demonstrations, presentations, interactive and acoustic concerts under the Dôme sonore system with new gesture interaction machines,
Exciting workshops to build synthesizers, learn computer sound synthesis, experiment new creative interactions with the computer,
Debates on the burning questions of digital creativity: for and against, how, for whom, why?
A "Hub" event for entrepreneurs, SMEs, digital creativity enthusiasts and academics.
Mercredi 16 octobre 2019
Jeudi 17 octobre 2019
Vendredi 18 octobre 2019
Samedi 19 octobre 2019
Couvent des Minimes - Cloître et jardin extérieur
Cynergia | Corps, image, forces,
interaction - INSTALLATION INTERACTIVE
Bénédicte Adessi – Annie Luciani
L’espace de Cuneo : Elettronica Portativa (Portative Electronics) 2010-2019
Giuseppe Gavazza
L’espace de Cuneo : The Extended Guitar
Transducteurs, tambours, ressorts et plaques vibrantes. 2018-2019
Davide Ficco
L’espace de Cuneo : TOTEM
Fer, gong, subwoofer, circuits électroniques. 2018-2019
Alessandro Sciaraffa
LOOPS IN TRANSMISSION (2018)
Installation interactive
Stas Vrenko
Meet me (T)here
Judit Kurtag
MUSIC TABLE – MusiCode
2017, Interactive sound installation, computer, mouse, monitor
Ludger Brummer, Dan Wilcox
MUSIC TABLE – CellularAutomataExplorer
2017, Interactive sound installation, computer, monitor, mouse
Ludger Brummer,
MUSIC TABLE – algoRhythm Machine
2017, Interactive sound installation, computer, monitor, mouse, headphones
Götz Dipper
MUSIC TABLE – Guido’s Code #A
2018, Playback device, headphones or speaker
Götz Dipper
Sculptures musicales interactives
Baptiste Pierre
DYNAMé
Animation par ordinateur
Jérémy Riffet
Sinusoïde
Simão Costa
Through the Looking Sound
Kaléidoscope virtuel
Esthir Lemi
IDE Scene
Capteurs de mouvement sans fil portables
Iannis Zannos
SonicMaps Locative Audio Soundwalk (by Recursive Arts)
Ricardo Climent Ignacio Pecino
mercredi 16 octobre - 17:00 - 18:00
Salle Olivier Messiaen
Concert avec les élèves de l’Ecole de Musique de Crolles
Inauguration
En avant-première du concert#1
De 18h à 19h, parcours organisé des installations, démonstrations et du dôme sonore 3D
19h, Présentation de la manifestation
Quetzalcoatl
Installation et oeuvre multisensorielle interactive immersive
Claude Cadoz Alain Neveux Gyorgy Kurtag
Voyages
Animation par ordinateur - Logiciel MIMESIS d’animation par modèles physiques
Annie Luciani
Improvisation à retour d’effort et projection sonore immersive 3D
Créer, composer et jouer gestuellement avec des instruments de musique virtuels
Claude Cadoz Gyorgy Kurtag Nicolas Castagné
Pièces rapportées
Gyorgy Kurtag
jeudi 17 octobre 19:30 - 21:00
Salle Olivier Messiaen
The Anamorphic Circle
Composition électroacoustique
Hans Peter Stubbe Teglbjærg
CELLULARIUM
Sound composition for sound dome
Ludger Brümmer
Hélios
Sound projection : Either 24 loud speakers or 8 loud speakers or 4 loud speakers
Claude Cadoz
Acousmatic works – Pièce n°1 : Fragility in a Hypogeum World
stereo fixed media, multichannel live-spatialization by the composer
Cristina Mercuri
Acousmatic works – Pièce n°2 : Abituà (Gesture)
stereo fixed media, multichannel live-spatialization by the composer
Simone Giordano
Acousmatic works – Pièce n°3 : Q-verc
stereo fixed media, multichannel live-spatialization by the composer
Marco Barberis
Vendredi 18 octobre 19:30 - 21:00
Salle Olivier Messiaen
Duel for Strings
Live performance
Ricardo Climent, Philippe Wucher
Rêves ambisonic
Baptiste Pierre
Unearted
Multi Channel Piece - Fixed Media
David Berezan
Le tombeau retrouvé de Rameau
Collectif Hausmusik : « Le tombeau de Rameau » de Gilles Colliard en version ambisonique : un projet expérimental
Gilles Colliard
Atelier de création Hélicanthe #1
mercredi 16 octobre 10:00 - 17:00
Salle Olivier Messiaen
Atelier de création Hélicanthe #2
samedi 19 octobre 10:00 - 19:00
Salle Olivier Messiaen
« Hélicanthe » est la nouvelle plateforme de création musicale et multisensorielle interactive développée par l’ACROE.
Claude Cadoz, Nicolas Castagné
Do it Yourself : SODA – A semi-modular instrument building workshop #1
mercredi 16 octobre 10:00 - 17:00
Do it Yourself : SODA – A semi-modular instrument building workshop #2
samedi 19 octobre 10:00 - 19:00
Portes Ouvertes à la salle Olivier Messiaen #1
jeudi 17 octobre 11:00 - 17:00
Salle Olivier Messiaen
Portes Ouvertes à la salle Olivier Messiaen #2
vendredi 18 octobre 11:00 - 17:00
Salle Olivier Messiaen
Electric GamePad Orchestra (12-15 Pad, 4 pistes) – 45mn-1h
samedi 19 octobre 12:00 - 13:00
Salle Olivier Messiaen
Carte blanche aux étudiants des Métiers du Son du Conservatoire de Musique de Grenoble
samedi 19 octobre 13:00 - 14:00
Salle Olivier Messiaen
Pourquoi réintroduire la matérialité et le corps dans la création numérique ? Qu’est ce que l’interaction haptique ?
mercredi 16 octobre - 12:00 - 14:00
Salle Olivier Messiaen
Artistic creation and technology | Virtual Reality, Augmented reality, interactive design, real time performance
Vendredi 18 octobre 12:00 - 14:00
Salle Olivier Messiaen
compilação discográfica em livro de 6 novos Álbuns em formato digital .wav e mp3 com obras e poemas de Miguel Azguime
+ 5€ CCT Portugal
+ 10€ international shipping cost
ADIOTOPIA
Carla Santana -sintetizador analógico, piezos, hidrofone e objectos
Carlos Santos - sintetizador modular, sampler, piezos e objectos
O som que se dissolve no espaço não é um ponto fixo, mas sim movimento entre o gesto e a ressonância do lugar. Existe no limiar entre o que poderia ser e uma trajetória. Um mapa de escuta, que habita o tempo.
Gravado ao vivo no O’Culto da Ajuda durante o Festival Curto-Circuito, 7 de Dezembro de 2024.
Mistura e masterização de Carlos Santos
Fotografias de Carla Santana
Design gráfico de Carlos Santos
ADIOTOPIA
Carla Santana – Analog synthesizer, piezos, hydrophone, and objects
Carlos Santos – Modular synthesizer, sampler, piezos, and objects
Sound dissolving into space is not a fixed point but rather a movement between gesture and the resonance of place. It exists on the threshold between what could be and a trajectory— a listening map that inhabits time.
Recorded live at O’Culto da Ajuda during the Curto-Circuito Festival on December 7, 2024.
Mixing and mastering by Carlos Santos
Photographs by Carla Santana
Graphic design by Carlos Santos
EIGHT DIALOGUES is the result of home sessions recordings made between 2016 March, and 2017 January, that caught Buchla brand’s attention, and they kept a video of our duo on the their homepage for a certain time. Sadly, these were the Music Easel creator, Don Buchla (1937-2016), last days.
This album’s music has its inspiration on how the characteristics, sound, and timbre of the Buchla Music Easel, and the Double Bass can influence each other, and construct together musical ideas, textures, melodic games, and forms, exploring at same time the spontaneous flow of improvisation, as a composition way.
As we both share fascination for the 20th century Avant-garde and Conceptual Art movements, and Don Buchla was pioneer of new synthesis concepts that became the West Coast style, connected to a more experimental point of view of the electronic music, we dedicate Eight Dialogs to Don Buchla, the creator of the Music Easel.
ARMANDO TEIXEIRA’s creative common denominator is electronics, whether in an experimental vision, or transposing discoveries, possibilities, and interpretations into genres from song to soundtrack. His electronics, but in an experimental approach, play a decisive role in his career, which has seen more than two dozen records released since 1994.
MIGUEL LEIRIA PEREIRA as double bassist has his strongest influence by Gary Karr, with who he have been in touch since 1996. He teaches the double bass at the Lisbon National Conservatory, as he keeps a musical activity in different areas, but with focus on music that brings the double bass into a creative path.
Both musicians have been working together since de mid 80's until present, and Eight Dialogues marks the point on this time line, that brings together the most personal, and at the same time, abstract representation of a long friendship and share, by a musical conversation.
ARMANDO TEIXEIRA: Buchla Music Easel
MIGUEL LEIRIA PEREIRA: Double Bass
Recorded 2016/2017, mixed and mastered in 2023, by Armando Teixeira, and Miguel Leiria Pereira.
DIALOGUE I
DIALOGUE II
DIALOGUE III
DIALOGUE IV
DIALOGUE V
DIALOGUE VI
DIALOGUE VII
DIALOGUE VIII
Support: Portuguese Republic, DGArtes, CML, EASTN, Creative Europe, CIME, MIC, Miso Studio, Miso Records.
livro sobre os 40 anos de actividade da Miso Music Portugal
+ 9€ CTT Portugal
+ 15€ international shipping cost
Hugo Vasco Reis (HVR0012)
Dimensions I (2020) · clarinete e eletrónica
Igor C. Silva (Igsilv0005)
Ecos_74 (2013) · quarteto de percussão e eletrónica
Paulo Bastos (PBas0009)
Branca rosa brava (2023) · voz, saxofone alto, acordeão e quarteto de cordas
Hugo Vasco Reis (HVR0013)
Dimensions II (2021) · saxofone e eletrónica
Hugo Vasco Reis (HVR0014)
Dimensions III (2021) · flauta de bisel baixo e eletrónica
João Quinteiro (JQui0010)
Canção IV – Echo, Wiederholung und Metamorphose (2022) · duas flautas
Paulo Bastos (PBas0010)
Vértigo (2024) · eufónio e vibrafone
Paulo Bastos (PBas0011)
Xénia (2024) · eufónio e vibrafone
Christopher Bochmann (CB0143)
Letter IX (to Martin Christoph Redel) (2024) · piano
Christopher Bochmann (CB0144)
Letter X (to Sílvio Ferraz) (2024) · piano
Christopher Bochmann (CB0145)
Letter XI (to Miguel Azguime) (2024) · piano
Amílcar Vasques-Dias (AVDias0027)
Soror Mariana Alcoforado (2017) · ópera para quatro solistas, dois cantadores de cante alentejano, coro participativo e ensemble
Amílcar Vasques-Dias (AVDias0028)
Elegia a Olga Prats (2025) · soprano e piano
Amílcar Vasques-Dias (AVDias0029)
Voando (2025) · flauta
Amílcar Vasques-Dias (AVDias0030)
Sex Piccolos (2021) · seis flautins e temple blocks
Christopher Bochmann (CB0146)
My Ladye Celia’s Songbooke, book III (2020) · barítono e piano
Christopher Bochmann (CB0147)
Glosas (2023) · saxofone e orquestra de cordas
Christopher Bochmann (CB0148)
Glosas-Espelho (2023) · flauta e orquestra de cordas
Carlos Lopes (CLop0001)
Epóxi (2021) · orquestra
Carlos Lopes (CLop0002)
C_gull (2020) · quarteto de clarinetes
Sara Carvalho (SC0027)
inside silence (2012) · piano (preparado) e piano de brincar
Em 2025 foram feitas 3 novas entrevistas filmadas a:
Paulao Ferreira-Lopes
Luis Tinoco
Carlos Brito Dias
Em 2025 foram criadas no mic.pt três páginas de compositores e três de intérpretes.
1. Compositores:
- Carlos Lopes: https://www.mic.pt/dispatcher?where=0&what=2&show=0&pessoa_id=5460&lang=PT
- Marta Domingues: https://mic.pt/dispatcher?where=0&what=2&show=0&pessoa_id=5638&lang=PT
- Dimitris Andrikopoulos: https://mic.pt/dispatcher?where=0&what=2&show=0&pessoa_id=5181&lang=PT
2. Intérpretes:
- Rita Castro Blanco (maestrina): https://www.mic.pt/dispatcher?where=1&what=2&show=0&interprete_id=439&lang=pt
- Camila Mandillo (soprano): https://mic.pt/dispatcher?where=1&what=2&show=0&interprete_id=440&lang=PT
- Eduardo Lucena (flauta): https://mic.pt/dispatcher?where=1&what=2&show=0&interprete_id=441&lang=pt