CONFERÊNCIA: MULHERES NA COMPOSIÇÃO MUSICAL
CONFERENCE: WOMEN IN MUSIC COMPOSITION
em parceria com a Escola Superior de Música de Lisboa
Oradoras / Speakers: Helena Marinho, Isabel Soveral, Patrícia Sucena de Almeida, Iris Bramberger, Nathalie Négro
Painel de discussão com / Discussion panel with: Annamaria Jacsó (Pro Progressione)…
WOMEN WORKS CONCERT AT MIND THE GAP CONFERENCE IN PORTUGAL
PROGRAMME
Fátima Fonte — Rotina
Miso Music Portugal commission (world premiere)
Doina Rotaru — Vivarta
Kaija Saariaho — Terra Memoria
Constança Capdeville — Concertino
Miso String Quartet
Pedro Lopes (violino)
César Nogueira (violino)
Joana Cipriano (viola)
Luís André Ferreira (violoncelo)
MESA REDONDA COM TODAS A SCOMPOSITORES PARTICIPANTES NO CADAVRE EXQUIS
O projecto europeu Mind the Gap reúne oito compositoras de França, Portugal, Letónia e Hungria, convidadas a participar num processo de criação colectiva inspirado no Cadáver Esquisito musical. Trata-se de uma iniciativa que celebra a diversidade artística e promove a igualdade de género no âmbito da criação musical contemporânea.
Ao articular criação artística e reflexão crítica sobre as práticas profissionais, MIND THE GAP analisa os mecanismos de invisibilização presentes no sector da música. O projecto envolve programadores, instituições culturais, profissionais dos media e jornalistas numa reflexão colectiva, que contará com a participação das oito compositoras envolvidas na criação do Cadavre Exquis, numa conversa moderada pelo jornalista Pedro Boléo. Esta dimensão será complementada por acções de sensibilização dedicadas à criação musical no feminino, a realizar na Escola Superior de Música de Lisboa, contribuindo assim para a emergência de um ecossistema mais inclusivo e equitativo.
The European project Mind the Gap brings together eight women composers from France, Portugal, Latvia and Hungary, invited to take part in a collective creation process inspired by the musical Cadavre Exquis. It is an initiative that celebrates artistic diversity and promotes gender equality within contemporary musical creation.
By bringing together artistic creation and critical reflection on professional practices, MIND THE GAP examines the mechanisms of invisibilisation present within the music sector. The project engages programmers, cultural institutions, media professionals and journalists in a collective reflection, which will include the participation of the eight composers involved in the creation of the Cadavre Exquis, in a conversation moderated by journalist Pedro Boléo. This dimension will be complemented by awareness-raising activities dedicated to women’s musical creation, to be held at the Escola Superior de Música de Lisboa, thereby contributing to the emergence of a more inclusive and equitable ecosystem.
MIND THE GAP ENSEMBLE
Rémi Durupt conductor
Sílvia Cancela - Fl , Nuno Pinto - Cl, Renāte Trapāne -Ob, Anna Beleznai - Bn, Artūrs Šults - Hn, Nicolas Van Kuijk- Vln, Éva Osztrosits - Vln, Boglárka Szűcs - Vla, Marine Rodallec- Vlc, Haralds Arnis -Cb, Laurent Durupt - Pn, João Dias - Pc
Abigél Varga (1996, Hungria)
Alise Rancāne (1995, Letónia)
Anne Castex (1993, França)
Daphné Hejebri (1994, França)
Gundega Šmite (1977, Letónia)
Isabel Soveral (1961, Portugal)
Patrícia Sucena de Almeida (1972, Portugal)
Virág Anna Virág (1999, Hungria)
+ Lisa Heute (1991, França)
Em parceria com a Escola Superior de Música de Lisboa
O projecto europeu Mind the Gap reúne neste concerto oito compositoras de França, Portugal, Letónia e Hungria, convidadas a participar num processo de criação colectiva inspirado no Cadáver Esquisito musical. Trata-se de uma iniciativa que celebra a diversidade artística e promove a igualdade de género no âmbito da criação musical contemporânea.
Dirigido pelo maestro Rémi Durupt, o ensemble é constituído por 12 (Fl, Cl, Ob, Bn, Hn, Vln, Vln, Vla, Vlc, Cb, Pn, Pc) instrumentistas provenientes dos quatro países parceiros do projecto. A participação portuguesa é assegurada por três músicos do Sond’Ar-te Electric Ensemble: Sílvia Cancela — flauta, Nuno Pinto — clarinete, e João Tiago Dias — percussão.
The European project Mind the Gap brings together in this concert eight women composers from France, Portugal, Latvia and Hungary, invited to take part in a collective creation process inspired by the musical Cadavre Exquis. It is an initiative that celebrates artistic diversity and promotes gender equality within contemporary musical creation.
Conducted by Rémi Durupt, the ensemble comprises 12 instrumentalists (Fl, Cl, Ob, Bn, Hn, Vln, Vln, Vla, Vlc, Cb, Pn, Pc) from the four partner countries involved in the project. The Portuguese participation is ensured by three musicians from the Sond’Ar-te Electric Ensemble: Sílvia Cancela — flute, Nuno Pinto — clarinet, and João Tiago Dias — percussion.
Exquisite corpse (from the original French term cadavre exquis, lit. 'exquisite cadaver') is a method by which a collection of words or images is assembled. Each collaborator adds to a composition in sequence, either by being allowed to see only the end of what the previous person contributed.
This practice was invented by ssurrealists. Surrealism's principal founder André Breton reported that it started in fun, but became playful and eventually enriching.
compilação discográfica em livro de 6 novos Álbuns em formato digital .wav e mp3 com obras e poemas de Miguel Azguime
+ 5€ CCT Portugal
+ 10€ international shipping cost
ADIOTOPIA
Carla Santana -sintetizador analógico, piezos, hidrofone e objectos
Carlos Santos - sintetizador modular, sampler, piezos e objectos
O som que se dissolve no espaço não é um ponto fixo, mas sim movimento entre o gesto e a ressonância do lugar. Existe no limiar entre o que poderia ser e uma trajetória. Um mapa de escuta, que habita o tempo.
Gravado ao vivo no O’Culto da Ajuda durante o Festival Curto-Circuito, 7 de Dezembro de 2024.
Mistura e masterização de Carlos Santos
Fotografias de Carla Santana
Design gráfico de Carlos Santos
ADIOTOPIA
Carla Santana – Analog synthesizer, piezos, hydrophone, and objects
Carlos Santos – Modular synthesizer, sampler, piezos, and objects
Sound dissolving into space is not a fixed point but rather a movement between gesture and the resonance of place. It exists on the threshold between what could be and a trajectory— a listening map that inhabits time.
Recorded live at O’Culto da Ajuda during the Curto-Circuito Festival on December 7, 2024.
Mixing and mastering by Carlos Santos
Photographs by Carla Santana
Graphic design by Carlos Santos
EIGHT DIALOGUES is the result of home sessions recordings made between 2016 March, and 2017 January, that caught Buchla brand’s attention, and they kept a video of our duo on the their homepage for a certain time. Sadly, these were the Music Easel creator, Don Buchla (1937-2016), last days.
This album’s music has its inspiration on how the characteristics, sound, and timbre of the Buchla Music Easel, and the Double Bass can influence each other, and construct together musical ideas, textures, melodic games, and forms, exploring at same time the spontaneous flow of improvisation, as a composition way.
As we both share fascination for the 20th century Avant-garde and Conceptual Art movements, and Don Buchla was pioneer of new synthesis concepts that became the West Coast style, connected to a more experimental point of view of the electronic music, we dedicate Eight Dialogs to Don Buchla, the creator of the Music Easel.
ARMANDO TEIXEIRA’s creative common denominator is electronics, whether in an experimental vision, or transposing discoveries, possibilities, and interpretations into genres from song to soundtrack. His electronics, but in an experimental approach, play a decisive role in his career, which has seen more than two dozen records released since 1994.
MIGUEL LEIRIA PEREIRA as double bassist has his strongest influence by Gary Karr, with who he have been in touch since 1996. He teaches the double bass at the Lisbon National Conservatory, as he keeps a musical activity in different areas, but with focus on music that brings the double bass into a creative path.
Both musicians have been working together since de mid 80's until present, and Eight Dialogues marks the point on this time line, that brings together the most personal, and at the same time, abstract representation of a long friendship and share, by a musical conversation.
ARMANDO TEIXEIRA: Buchla Music Easel
MIGUEL LEIRIA PEREIRA: Double Bass
Recorded 2016/2017, mixed and mastered in 2023, by Armando Teixeira, and Miguel Leiria Pereira.
DIALOGUE I
DIALOGUE II
DIALOGUE III
DIALOGUE IV
DIALOGUE V
DIALOGUE VI
DIALOGUE VII
DIALOGUE VIII
Support: Portuguese Republic, DGArtes, CML, EASTN, Creative Europe, CIME, MIC, Miso Studio, Miso Records.
livro sobre os 40 anos de actividade da Miso Music Portugal
+ 9€ CTT Portugal
+ 15€ international shipping cost
